A microbrewery for book-lovers

Category: Fine Art Prints

Credit Crunch

Credit Crunch Eddie Farrell & Henningham Family Press 2009 Edition 70 screenprint dimensions vary £180 (£348 framed) Exhibited at Royal Academy Summer Exhibition 2011 We were printing “price prints” with Eddie Farrell as the recession hit in 2009; packets of groceries he had bought that he then screenprinted with their original value in the hope

Austerity Measure

Austerity Measure Henningham Family Press 2011 Edition 50 screenprint and lasercut 460 x 340 x 2 mm £180 (£348 framed) Exhibited in the Royal Academy Summer Exhibition 2012 It isn’t just everything that is solid that melts into thin air, language itself becomes bankrupt, and loses currency. We kept a post-it note on the radio

Trench

Trench (bold, italic) Henningham Family Press 2011 Edition 75 screenprint 184 x 262 mm £138 (£228 framed) In our An Unknown Soldier project we are writing as people who have felt the legacy of the First World War, primarily through family stories, but not first-hand. We wanted to depict the impression it had made upon

Royal Poster (left aligned)

Royal Poster (left aligned) Henningham Family Press 2011 Edition 30 screenprint 20 x 25in £234 (£390 framed) Selected C0llections: Victoria and Albert Museum Saison Poetry Library (Royal Festival Hall) Royal Poster (left aligned), is from our An Unknown Soldier project, which ruminates on the meaning of a memorial to an unknown soldier in the age

Imperial Poster (fully justified)

Imperial Poster (fully justified) Henningham Family Press 2011 Edition 30 screenprint 22 x 30in £234 (£390 framed) Selected C0llections: Victoria and Albert Museum Imperial Poster (fully justified), is from our An Unknown Soldier project, which ruminates on the meaning of a memorial to an unknown soldier in the age of DNA testing. Does he now

Monday School Illuminations

The third publication of the Monday School project was an unexpected commission for new church buildings in St Peter’s Harold Wood, Monday School Illuminations. This was a new challenge, what with us not being ecclesiastical artists, but they had heard about the Monday School project and we had a starting point; this was the place